teaching

Teaching architectural photography

architecture, Personal Pictures

Hello there,

A post about my teaching job at Kisp this time.

KISP is a evening classes institute giving adults the possibility to change careers, enrich themselves with language courses, learn how to cook vegetarian meals, meals with Belgian Beer or learn how to execute bike repairs, amongst a ton of other things. Photography classes are immensely popular at our institute, so we count over 1000 students currently following one or more semesters of the photography program, a program that exists in 10 different classes, normally running over a 5 year period.

I have been teaching photography classes for 3 years now, and I am currently teaching 4 classes, two Lightroom development classes, two architectural photography classes.

Teaching is a good way of fine tuning and deepening your own knowledge on the subject, and I admit I have learnt a lot in preparing my courses over the last 4 months.

It has been a joy to see my students discover the multiple facets of architectural photography, something that a lot of them at first would classify as a boring and dull subject in photography. Architectural photography is one of the ‘advanced’ segments, so these students have done at least 4 preparatory classes.

We are not blessed with a lot of rich and blooming architecture here in Belgium, so it is quite a challenge to find interesting building projects that are accessible to a group of students. Especially since we arrive only at a time that most office desks close down for the day. We usually start at 6:30 pm and work trough the night, till 22:00 hrs. Often we have to deal with security people to get access to a building, mostly we are very welcome.

Unfortunately I cannot post work of others, but i would like to show you some of the pictures I took in between tutoring and solving technical questions from my students.

They are often not perfect because I carry very little equipment myself on these hands-on evening classes. I often don’t take a tripod with me and only a single lens, or maybe two.

Subjects tackled so far: building in it’s environment, perspectives, composition and equilibrating elements in your image, light and lighting. This is only a very small selection, there is some more on my facebook account here: Album architectural photography classes

LudwigDesmet_Kisp_archi-5096

LudwigDesmet_Kisp_archi-5057

LudwigDesmet_Kisp_archi-5081

LudwigDesmet_Kisp_archi-5368

LudwigDesmet_Kisp_archi-5379

LudwigDesmet_Kisp_archi-6658

LudwigDesmet_Kisp_archi-6689

LudwigDesmet_Kisp_archi-8411

LudwigDesmet_Kisp_archi-8416

LudwigDesmet_Kisp_archi-8498

LudwigDesmet_Kisp_archi-8558

LudwigDesmet_Kisp_archi-8548

thank you for reading, see you soon,

Ludwig

Workshop Bert Stephani

Internet tips and tricks, Tips and Tricks

Hi,

Last week I had the chance to follow the workshop ‘advanced speedlight techniques’ with Bert Stephani, contemporary portrait and fashion photographer from Steenokkerzeel, near Brussels.
There were three participants, of the four spots available. We had some coffee to start with, typically Bert I guess. 😉
Bert is easy going, cool, relax and above all, willing to share his experience. We had an interesting day, full of practical tricks and tips.

Some of the lessons learnt:

• When setting up a light situation, use your hand as a stand in for your model. It’s freely available, and never bored with your tweaking lights over and over again. In the meantime, your model can freshen up or relax a while.
• When setting up a combined available/flash light setting, first expose for the available light, then the flash, and last but not least, take pictures.
• When taking pictures with a model, encourage your model, talk it trough the shoot, give clear posing instructions, … introduce mini-breaks from time to time to make your model relax, and to offer yourself some time to think about new ideas. Don’t break the posing flow or the contact between yourself and your model by looking at the results. When your light setup has been setup well, all images should be fine afterwards.
• Be relaxed and confident as a photographer. Whatever your mental status is, it reflects on your subject and in your images.
• Work your light situation in function of the story you want to tell.
• Don’t give workshop instructions and bake sandwiches at the same time. (first bakery products got carbonized)

Some of the strong points of the workshop:
• Bert has a large studio space – the barn – , offering plenty of possibilities, different light situations, props, …
• We could freely ask for personal advice on challenging projects and thus influence on the content of the workshop.
• The atmosphere is cool and informal

Some of the weak points of the workshop: Sorry Bert if this bothers you, I feel like I need to be complete for my readers.
• The workshop seemed not prepared and rather un-structured and slow-paced. I don’t know if this is typical for Bert’s workshops, or just on this particular occasion.
• Workshop was marketed ‘including teaching, model fee and bread lunch’, the teaching was there, the bread lunch too, but there was no model, so participants had to stand in as a model for the other participants. I have no problem with modeling as such, but it limits your ‘photography time’ during the day, and on our last ‘assignment’ only one person could be the photographer, so neither me nor the third participant had images from this setup. As a participant I felt I had not the same level of ‘hands on experience’ during the teaching, when I was acting as a subject.

some images taken during the workshop: