retrospective

one thing to start with, I’m very sorry this exhibit is over. I have really enjoyed it (again on one of the very last days of the exhibit – I tend to postpone exhibition visits till the moment I can’t any further delay it or I’ll mis it) so there’s no way you can see it here in Belgium anymore, sorry for that.

I have enjoyed the exhibit very much. It gave an overview of Saul Leiters’ work both commercial and non commercial, presented in the humble way that Leiter proves to be in the documentary movie (In no great hurry – 2012) that was made of him shortly before he died in 2013. Small paintings, small prints, and a vast number of images. I kind of missed a clear structure in the exhibit, but that might be purposely related to his way of working, and his total disorder in his huge archive.

Over a period of about 60 years he documented street life in the south-east part of New York, in a very particular way. He had moved into New York mainly to start as a painter, and this approach is clearly visible in his work. Deconstructed impressionist frames form the setting of a lot of his photographs, in which often a single person is the only immediately recognizable feature of the image. Often there is no figurative element at all, and all is fuzzy or blurred and an impressionist vision on the city life is all that’s left. Remarkably colorful, even in winter settings, he manages to make his images a delight to look at. Often the content of his images is captured between several layers of reflections, mirrored images, damp-dripping glass surfaces where you have to work your way around as a viewer.

Saul has become famous only after a very long period of working, and it seems he never fully realized the quality and the impact of his work. In this perspective I would gladly recommend viewing the full documentary ‘In no great hurry – 13 lessons in life with Saul Leiter’ as it offers an in depth encounter and it is a testimony to humility and unpretentiousness I have seldom seen in an artist of this scale. Inspirational at least.

You can see an extensive selection of his work here:

Howard Greenberg Gallery

another source of info:

https://www.artsy.net/artist/saul-leiter

thanks for reading,

ludwig

FOAM in Amsterdam had a retrospective exhibit on Helmut Newton, fashion, art, fetish and erotic photographer from the last century. I wanted to visit it, and it ran till september 4th, so yesterday we went for a visit, unfortunately for you, my readers, its over.

I had an autobiography on Helmut Newton since a couple of years now I guess, and I quit reading it for I got a little annoyed, even irritated by the rather arrogant, selfish, non woman-friendly narratives in this book. (Helmut Newton Autoportrait, by Robert Laffont).

Anyway, I still love his work, his way of depicting strong, beautiful women, and his way of combining fashion photography with daring eroticism, both implied and explicit.

The exhibit had a fine collection of prints, starting with his 60’s fashion work (that made me think a lot about a long time favourite of mine: Jean-Loup Sieff), over the more erotically oriented images in his long collaboration with Vogue, his personal work with protheses and nude women, his impressive ‘big nudes’ and finally his extensive list of portraits of famous people.

Especially interesting I found the film montage, made by his wife June, which gave a very intimate insight in the life and working atmosphere in which Newton, his wife and his entourage moved along. Not the spoiled kid he talks about in his biography, but a rather playful, humorist, (hard) working, focused photographer. It surprised me that some people started sniggering when he was instructing his models into a certain pose, and that made me think about how little is known about this kind of photography, this kind of dialogue between photographer and model, to people who are not part of this world. We discussed about it (Nathalie and me) and she decided she should film me when I’m working with my models. – GOOD IDEA! –

I was rather pleased to see so many people visit this exhibition (Sunday being the last day might have been a factor) and especially to see so many women around. This makes me think the perception of Helmut Newton being an ‘objectifier’ of women is not a general one.

His work is inspirational to me, it has long been underestimated from the photographic art scene, and it probably still is, it was daring in its time, and it still is daring to tackle the nude subject in our times, so not much has changed. There’s a lot of work to do, and its a tough job, but someone has got to do it, so let’s get going. 🙂

Thank you for reading,

ludwig

ludwig desmet

beauty and fine art photography

Saul Leiter – Retrospective – Antwerp Fomu 28.10.16 – 29.01.17

Helmut Newton – Retrospective