Queen of Sheba: Honorable mention.

beauty, contests, exhibition, Personal Pictures

UPDATE:

The image has been awarded an ‘Honorable Mention’. Out of almost 500 images, 5 received this title.

It will be digitally sent to the Gallery in Vermont USA, it will be printed by their services and exhibited in the upcoming SKIN exhibition.

for people interested in visiting the Gallery:

DARKROOM GALLERY

12 Main St.

Essex Jct., VT 05452-3132

Hours: Monday-Sunday 11:00-4:00 and by appt.

(802) 777-FOTO (3686)

My picture ‘Queen of Sheba’ (don’t ask me where I got the name from, it just came to me like that) has been selected for the exhibit contest ‘SKIN’ by The Darkroom Gallery in Vermont USA.

Allen Birnbach, famous fine art nude photographer himself, and juror of the ‘SKIN’ contest found my work to be good enough to be in the final selection for the exhibit.

Now try to find out how I get my printed work to Vermont. Anybody going on a trip to Vermont in the next few weeks?

about the image, it was taken on dec. 30 2012, in one of the locations I use for my beauty shoots.

It features a nude woman, besides from the shoes she’s wearing behind a thick velvet curtain. Her body shape is clearly defined, but it show’s no recognizable details. The prolongation of the head shape made me think of some kind of queen with a headpiece.

Image details: Canon 5D mark II, Canon EF 24 mm f1.4 II, ISO 200 – f1.4 – 1/125 sec.

Charlemagne-art_Queen of Sheba-1200FB

thank you for looking,

for the website of mr. Birnbach, Juror of the exhibition contest:Β www.birnbachfigureworks.com

I have some beauty shoots planned in the near future, so see you again soon.

take care,

ludwig

Jessika at the Mansion + snowshoot.

beauty, people, Personal Pictures, Uncategorized

Hi All,

some two weeks ago I had Jessika coming over to Ronse.

We had worked together for a shoot at Hallerbos, april last year, and she wanted to shoot again, in a different setting, with different clothing, etc. … Β Jessika didn’t feel totally comfortable about not wearing any make-up, and she didn’t like the first results of the shoot.

(women tend to be very very self-critical, if you asked me)

Anyway, I think we made some nice, moody shots at the Mansion, but then we got outside, and she put up some make-up πŸ˜€

It was during that week that we had a lot of snow here in Belgium, so we combined a shoot at the Mansion, with a wintershoot, on the same afternoon. I had timed quite well, so we got outside with the sun already very low, about an hour before sunset. I had a very nice backdrop this way. I only have one lens capable of doing this, without getting over-the-top flares anywhere in the image, and that’s my Canon 135mm f2. Although some images received some additional contrast in post, overall the images came out very well straight from camera. I hope you like them. No reflectors used this time, only natural light.

In one shot, I added some extra digital snow, to emphasize the cold character.

happy viewing, see you soon!

charlemagne-art-Jessika-2636

charlemagne-art-Jessika-2559

charlemagne-art-Jessika-2567

charlemagne-art-Jessika-2607

charlemagne-art-Jessika-2647

charlemagne-art-Jessika-2675

charlemagne-art-Jessika-2746

charlemagne-art-Jessika-2783

charlemagne-art-Jessika-6858

charlemagne-art-Jessika-6904

charlemagne-art-Jessika-6929

charlemagne-art-Jessika-6945

charlemagne-art-Jessika-

charlemagne-art-Jessika-7028

charlemagne-art-Jessika-7040

The Mansion shoot – Prt I – the directors office –

beauty, Personal Pictures

A week ago I had the opportunity to shoot in beautiful mansion style house. The building is from the first half of the 20th century, and full of splendid decorative details that make for a perfect setting for beauty shoots. I had never shot there, only visited it once for a very short moment, so it was new to me.

I had Pauline for a model. We never met before. Actually her mother linked the two of us together to get a shoot organized. We discussed some things over FB about the style and the mood we would work in. I sent her two mood boards I made before: Natural beauty and clothed sexy. I’ll leave it up to you what genre the results best fit into.

Pauline has some previous experiences with modeling work. She has a well sculpted muscular body and beautiful blue eyes. We worked together for about three hours, finding our ways trough the house. It is not really big despite its appearance from the outside, and currently undergoing restoration. This made for an extra challenge to cover that up. (ladders, floors being covered with protective sheets, bags of old tapestry all over the place, tools, etc.)

All images taken with Canon 5D II, with Canon 24 mm 1.4 L II, Canon 50 mm 1.4 and Canon 85 mm 1.8. No artificial lights were used (except for the desk lamp). In some settings an extra Lastolite Trigrip reflector was used. Some minor touchups have been done in Lightroom 4. Mainly getting back highlights in some pictures and adding some contrast here and there. The sepia tinted images all got some extra contrast.

Click for a bigger view!

Thank you Pauline, for this wonderful shoot, and a big thank you to the owners of the house, who willingly gave me access.

Next week I will post the second part of this shoot – the mirror & curtain play – so come again soon.

thanks for reading

Morning mood in old villa.

people, Personal Pictures

Hi there,
I’m very pleased to be able to share these images with you.
I did a model shoot with Lien, in the old villa where I shot the urbex shoot some weeks ago.

I did a call for models some weeks ago, on my Facebook Page, asking for models for a ‘natural beauty’ shoot. No make-up, no special hairdo, no flash or other light accessories. Just a female model, some sensual female clothing, a nice location and limited photo gear. Lien was happy to volunteer. Thank you Lien, it was a pleasure working with you, and you did really well!

Lien has never posed before, she’s a mother of two young boys and just a regular mom and wife. I think it is important to tell you this, because I want to stress on the fact that for a good shoot, you don’t need any specific experience or training. It is the photographers task to talk his model into the right poses, and I think we worked together very very well. I knew Lien before, she’s a daughter of a couple of good friends of mine, so she was quite relax from the beginning of the shoot, that helped of course. But, it could have been anyone, … really.

We have worked with some different clothing sets, in different rooms of the villa. It is really a wonderful place to work in as a photographer. I would like to say thank you here to Dirk, owner of the house, to let me in for these shoots. Thank you Dirk.

I will not tell a lot more about this shoot, except that we worked together for about two hours, we had great light, good atmosphere, and we could easily start all over tomorrow and come with another complete set of fine pictures.
All images taken with my Canon 5D II, and Canon 50 mm f1.4, Canon 85 mm f1.8 and Canon 135 mm f2.0 . I love fast lenses and wide open apertures. A limited gear setup like this allows working fast, and concentrating on poses and light. Post processing was done in Lightroom 4, that took me another 2 and a half hours for the entire set of 115 selected images. I’m sure I could work more on any of the images, but I’m not that picky on details. πŸ˜‰

Click on any image to view a larger version.


Comments are most welcome!

My website: charlemagne-art

Hope you come back soon!

Ludwig

Marcia studio shoot

people, Personal Pictures, Uncategorized

Marcia volunteered to be my model in this studio shoot.
She is unfamiliar with modeling work, so this was kinda’ new to her. She brought different clothing sets based on a small mood board I sent her to start with. It is a good thing to have a direction to work to. (I claim no credit for these images, this is just a selection of tumblr images.)


This was the narrowed down selection from the mood board, at least what direction we aimed at. Three different things, 1. is a three light setup, 2 is a single light setup (at least we reduced it to a single light setup) and 3 is also a single light setup.

Shots for number 1:
just some shots in the same tonalities as the moodboard shot. Don’t forget to click them for a bigger size!

Then Marcia started to feel a bit more comfortable and at ease, and we started doing some expressions, I made her untie her hair etc.

Sometimes I like to add some processing to create a different mood and atmosphere to the image. Just to show you what a quick edit can do:

All these images were shot with the same 3-light setup, two umbrella’s left and right behind the subject, pointing a little towards the camera, and a softbox just above Marcia’s head:

Then up to the second mood board image.
I wanted to recreate a window like shadow, with direct sun falling into it.
We have very limited gear in the school studio, so we had to ‘be creative’.
We used four large styrofoam reflector panels to create a window, and barn doors on the flash light. A 5th reflector panel just to the right of Marcia created some fill light at the shadow side. I had my assistant of the day (Gert) to hold a black light blocker next to the flash-head, because we got too much spill light into the studio otherwise.

Marcia loves sunglasses, so we used them. (I always please my models, or at least do what I can do to do so πŸ˜‰ )

And for the results:

And then the number three from the moodboard.
(Actually we did this one second, and the sunglasses last, because we re-used the setup from 1, except without the umbrella flashes, so only the top softbox)
Marcia has too much hair to do something similar to the mood board, so we had to improvise. She did really well, she posed quite easily now, so we could try out different things quite quickly.

At last, don’t be afraid to do some post-processing. This one image I especially liked, and I processed it a bit like the mood board example, and then a second time I processed it to my likings. Look what difference this makes:

What have I learnt from this shoot:
You don’t have to be an experienced model to create great looking images, as long as both model and photographer feel comfortable in each others presence. Thank you Marcia for stepping forward on my request for a volunteer!
There’s a lot that can be done in only a short period of time, at least when you are a little bit prepared as to what are your targets. (mood board) This shoot took one and a half hour, from start of first setup back to a cleaned up studio room. Thanks again to my assistant of the day at Kisp, Gert.
Dare try some post-processing to change the mood of your images.

Next post will be a series of images I took from my wife Nathalie – EMOTIONS

come again soon,
Ludwig

Kellogs and Pringles

assignments, Personal Pictures

Sorry it took me so long since my last post. I’ve been rather busy, both with photography and 3D renderings.

What do Kellogs and Pringles have in common? Kellogs, the healthy breakfast company just acquired Pringles, the (rather unhealthy?) chips company. πŸ™‚
I was asked to cover the announcement event some two weeks ago, and so I did.
On the menu: Healthy breakfast, some funny moments with the Kellogs characters that were present, some high-class speeches, and a videobridge with the US Kellogs HQ …

I enjoyed working with two 5D II bodies, and I prefer having my 17-40 mm on one body, my 135 mm on the other one. I only switched the 135 mm for a 50 mm lens in my small mobile studio setup.
A small selection of images of the day:

Hope to see you soon again, I have a lot more images in stock for publishing.

ludwig

Hallerbos shoot – BTS

landscapes, people, Personal Pictures, personal tips & tricks, Tips and Tricks

A 10 minutes behind the scenes video from our shoot in Hallerbos.
Some parts are english spoken, in-video conversations are mainly dutch, without subtitles, but nevertheless great to look at. πŸ˜‰

thanks to Martine and Raf for filming

Enjoy!

Hallerbos part 1

landscapes, people, Personal Pictures

I did a shoot last Sunday in Hallerbos, with models Jessika and Sari. I’ll show you some of the images of the shoot with Jessika.
We had a great time, and we got some great pictures as a result. My first goal was making some composed panoramic images. I shot a lot of poses of Jessika, and then some images left and right of her. I picked out some nice poses to compose a wider final image. The largest pano’s are about 100 Mpix in size, large enough for a very wide print πŸ˜‰
It was quite a challenge to picture her in the middle of the flowers, because you are actually not allowed entering the flower beds. We worked at some path crossings to achieve these results.
I am currently making a BTS video that shows a little more of the day. Make sure to come and check this page again soon!

After the wedding dress shoot, Jessika tried to get warm again (12Β°C outside), and then she changed for a nice ‘roman style’ blue dress, almost matching the colors of the Hyacinths -bluebells-. She also brought a kind of an antique bird cage. We shot for another 45 minutes, and at the very end of the shoot, we experimented a little with off camera flash. One single Canon flash, triggered with Cactus V5 transmitter. I had an assistant with me, and she handheld the flash. This allowed for quick changes in position and distance, and very much liked the results. I’m especially fond of the last image, I think it got a sense of drama in it.

Don’t forget to click them to view a larger version.
thank you for reading, come again soon!
Ludwig.

Lynn Studio shoot

people, Personal Pictures, photo gear

I wanted to share some pictures with you from my latest school work. Yes, I still follow classes in Photography. I’m currently in the people/portrait class, and the first studio shoot was to be done with one flashlight. We could use whatever modifiers we wanted, and we had to work towards a chosen sample image.

I had chosen this image as my goal for this assignment: I don’t know the photographer of this image, if someone knows, pls. let me know so I can credit the image.

I knew that it was going to be a fairly hard thing to get, this soft light coming from everywhere. I was pretty sure that I needed indirect light, so I chose for two huge reflector panels (Polystyrene boards, 1.20m wide at 2m heigh). I already had left the idea of lighting the background as in my sample image.
I had a perfect model for this picture, Lynn. She is a hairdresser, and specializing for make-up-artist, and she prepared herself the best she could, based on this example picture.
This is my setup:

I have been working with my 85 mm 1.8 in order to be able to just hide behind the reflector. Otherwise I had too much flare from the lightsource.

these are some results with this setup:


After that we tried a second alternative, the softbox, and one reflector to the left of my model. I experimented a bit with different positions for shooting, and different poses.

Result was quite satisfactory, so we decided to do a completely different setup, just for fun.
I wanted a very localized light, and I had no snoot available, so a gridded flash with barndoors did the trick.
I turned these images into BW because they made me think of these movie stars, longing for the hero to come back home.

Second half of the evening, we didn’t have the studio available anymore, so we did some freestyling in the hallway after that, with a reportage flash off-camera, combined with my Tri-Grip silver/white reflector. These are taken with the 135mm f2.

Hope you liked reading, feel free to comment!

In bed with Sue

Interesting Links

Last weekend I got a message on the ‘belgian weddings professionals’ facebook group about a 3 day online streaming course by Sue Bryce. Sue Bryce is what I would call a feminine beauty photographer, specialized in make-over shooting experiences. slightly based on the 80’s glamour, but totally reworked into a contemporary portrait style, with modern posing, make-up, hairdo’s etc. trying to create a unique experience for the women being photographed.
I took some quick glimpses of the course, in-between work, and I decided to immediately buy the course. At 99$ it is worth every penny. I’m only at the end of day one, in my viewing, and I’ve got tons of very useable tips already. Can’t wait to see the rest.

Sue’s website:
www.inbedwithsue.com

the link to the 3-day course: (sorry the price of 99$ was only during the course, now its some more)
www.creativelive.com/courses/glamour-photography-sue-bryce

I immediately used some of her posing tips in my first model shoot this week and I was very pleased with the results:

struggle for a portrait

people, Personal Pictures, personal tips & tricks, Tips and Tricks

Hi,
I’m at number 15, people who have come at my studio to pose for the professions project. All people I have photographed are un-easy with posing, and it has been a challenge to make them feel comfortable enough to get a good portrait and a nice depiction of their professional occupation.
Last I had a directors assistant and I would like to show you a bit of the shoot in evolution. I always ask people to bring something related to their job, and to be creative in what they bring (otherwise everybody brings a computer nowadays). She had brought a small calculator and a cellphone, because she does a lot of pricing calculations and she is on the phone half of her working time.

First of all I do a shot to verify my light setup, a quick close portrait will do to check on the detail in the highlights and the shadows.

First we tried with the calculator and a portable home phone I have here at hand. Phone in left hand, phone in right hand, didn’t work out to my feeling.

Ok then, let’s try only the calculator, maybe we’re going to get somewhere, … duhhhh, nope, nothing ‘directors assistant’ alike.

Maybe when we use only the phone, the pose will be less ‘forced’ and more natural, try putting a hand on your hip, nice, but not so ‘verymuchbusywithalotofthingsatthesametime’. This looks more like a well dressed woman calling her friend.

Now what do you really do in your job, I asked Ellen, …
Well, I’m often occupied with a lot of papers, trying to fix a date for an appointment in my bosses agenda, whilst running from here to there, …
Oh, okay, let’s find you some papers, an agenda, a pen, and hold that calculator and phone while I go find what we need.
I gave her some invoices strolling on my desk (she gave them back after the shoot πŸ™ an agenda, a pen, …) and I quickly grabbed my camera.
While she was struggling to get all those things comfortably in her hands, I took a shot, MY SHOT! We did some less panic’y shots for her too, but I had my shot! The directors assistant, getting thrown ten things at the same time to her head, and trying to deal with all of them.

I have no proper background system yet, so I need to do some retouching on the background, painting some areas black, next I do some local adjustments for some extra exposure to the hands, the shadow side of the face, the shadow side of the dress, I add some more exposure to the orange tones and that’s it for my final image.

After that, I took a picture of Ellen and her husband Bart, as a bonus, because I made her work so hard. Thank you Ellen, thank you Bart!