An angel in my garden – NSFW

beauty, location, Nude, Personal Pictures

Hello there,

some nice days in september allowed for some extra outdoor work.

the atmosphere in the garden was nice, the model was feeling good and relaxed. We spent some time here enjoying the sun an warm weather. The most difficult thing to tackle are the bright highlights. It is almost impossible not to wash out the highlights if you want some decent light in the shadow area’s. thats why it is actually much easier to shoot in a softly clouded sky situation than with bright light. Exposing for the bright highlights will give you near black shadows, exposing for the shadows will give you over-exposed hightlights.

I do not have an assistant with a sun-washer filter, so I often will shoot in a back-lit situation, with some highlight clipping in the bright area’s, and a lot of fill light in post processing. An alternative is seeking for the cover of a leaf tree, as we did in some images.

Elisabeth did great. Thank you. I hope you like the images.

Except last two (50mm Sigma) all images with Canon 135 mm f2.0 at f2.5

Model photography – Corinne Vionnet style

Personal Pictures, personal tips & tricks, Tips and Tricks

A former classmate from photography classes is currently still following courses in a different institute, to further expand his photographic horizons.

He came with the question ‘if I could figure out how to make a Corinne Vionnet image’ …

Corinne Vionnet has created a series of works, assembling a massive amount of tourists images (1000) into one single image. The resulting image is some kind of a condensed, time-spanning assembly of the tourist spot at hand.

I’ve tried to assemble similar style images with a limited number of beauty shots. These are the results.

I got interested in this technique, and I thought that I could make a ‘universal female portrait’, so I assembled 45 different images into one portrait. Image here under. Looks funny, but I liked the originals more.

This made me think about ‘Das Parfum’, the novel by Patrick Süskind, where the Jean Baptiste Grenouille tries to capture the essence of young women in a perfume, (he has to kill the women for his perfume) but instead of creating a perfume of youth, he became a monster. Not that the below image looks like a monster, but it is not exactly a beauty either. 😀 A lot is due to the different angles in which the original faces are oriented in the image. I need to try with ‘straight facing’ portraits next time.

I think I should experiment a little more with it, to see where I can get to with portrait work. Anyway, my friend was pleased with the results, and I have discovered something new. 🙂

thank you for reading,

Ludwig

Portrait – Mysterious

Personal Pictures, portrait

I’m generally very careful about the integrity and privacy of my models. Usually when I shoot artistic work with a model I contact, I have my models sign an image release contract. This enables me to be able to publish the images on my personal web and marketing platforms (such as this blog), exhibits and book publishing. Mostly they still get the possibility to refuse image X or Y from a selection, if they think they are not beneficial to their personal image. Also they have the option to be published under a different ‘model name’ than their real name.

For people contacting me for a shoot, things are a bit different, they pay me for my work, and although I automatically get the image rights for the pictures I take, I do not have the ‘right of publication’ of them, without explicit consent of the person in the portrait. This is not contract bound, but on an ‘allow or refuse’ free decision of the client.

I made a series of portraits of this lady here. If I asked here, would it be ok if I post an image of this series on my blog, she said ‘no problem, as long as it stays anonymous’.

So here she comes: ‘The mysterious lady from the Brussels region’

Canon 5D mark II, Sigma 50 mm f1.4 DG A, 1/80 s – f1.4 – ISO 400

thank you for reading

ludwig

Pauline on film – NSFW

beauty, Nude, Personal Pictures, photo gear

I told you before I would talk a bit more about the Rolleiflex I use for shooting on film.

The camera is a Twin Lens Reflex, built in the late 50’s, so the camera is about 60 years old.

The construction with the two lenses, of which the upper lens is for viewing only (viewing lens) and the lower lens is for taking the image (taking lens) has advantages and disadvantages. In comparison to the older camera’s that used flat film sheets, where one had to remove the matte focusing screen before putting in the film holder for taking the image, this camera allows to shoot multiple images without moving anything. There is a 45° tilted mirror behind the viewing lens, projecting a mirrored image on the horizontal focusing screen.

Of course viewfinder camera’s existed as well, but they had no visual reference of the focusing plane, or the sharpness of the subject when changing focus. A photographer using a viewfinder camera had to use the distance scale on the lens, and the not so trusty guesswork for camera to subject distance.

Both lenses of the this TLR move forward and backward while focussing, and so provide an identical image on the ground glass as the image to be expected on the film. Still, the smallest amount of inaccuracy of the lens focusing mechanism leads to bad focusing, and I believe this camera suffers at least some looseness in the forward-backward movement.

Dealing with this complex mechanism of focusing, meant also that these camera’s are mostly fixed focal length. Some camera’s came in different focal length versions, but camera’s with interchangeable lenses where very rare. (Except for the Mamiya C)

This camera comes with a 75 mm f3.5 lens, it also existed in a f2.8 version, usually much more expensive on the secondhand market. 75 mm on 6×6 film format has an equal viewing angle to a 38 mm lens on Full frame DSLR, or a 24 mm lens on a 1.6 crop camera, so a rather ‘wide-standard’ viewing angle.

The lens is certainly not paramount, and suffers heavily from flare, as can be seen in the images below (does somebody have a lens hood for this camera for me?). An aperture of 3.5 gives a good amount of image unsharpness on medium format. 2.8 would be nicer of course. The images lack a bit of contrast and sharpness.

Composing with the mirrored image on the focusing plane is a bit of a habit.

Shutter speed range is limited, from 2 seconds to 1/500th of a second, thus mostly limiting the wide open apertures in bright light. The mirror does not move, since it is not obstructing the film plane, so there are not vibrations from this side. Activating the shutter however demands some finger movement (unlike today’s DSLR’s where pushing the shutter entirely only takes some tenth of a millimeter) causing some hand stress and maybe movement unsharpness. Shutter speeds as long as 1/15th. of a second seem not possible to me without image shake. Maybe with some more experience.

The camera has a built in exposure meter, but it no longer works, so exposer should be metered with another camera, or with a hand held meter, I use the latter.

Film for this camera is widely available here in Belgium, both black and white and color film. Not sure about slides. Development is still available too, although it can take a while (1-2 weeks) before getting the negatives back. Scanning the negatives, as well as retouching them (from dust) is a tedious process.

The biggest advantages for me is that I spend more time composing, and checking out if everything is well in place before taking the image. It learns me to concentrate more on details, on exposure, on posing etc. … One roll of film equals 12 exposures, after that the fun is over. 😀 The fact that you see the image mirrored gives you a fresh view on your scene, revealing flaws in your image/composing remaining unnoticed as you set it up. (But I still have a lot to learn)

A second big advantage is that the images are square format. This gives me a more relaxed feeling when composing, and I believe that the images are more harmonious too. I kind of like this square format more and more. (This made me thinking about modifying a matte screen for my 5D mark II to indicate ‘square’ cropping).

changes I have had:

I had the original focusing screen replaced with a focusing screen with split prism and microprism focusing aids, and that adds to the accuracy of focussing with the camera. I also had the shutter speeds checked out by the same specialist repair shop that also changed the focusing screen.

To be continued. Enjoy this small portrait series I made with Pauline lately – Rolleiflex 3.5E – Tmax 400 film.

thank you for reading, see you soon,

Ludwig

Clair-Obscur, or playing with light

beauty, people, Tips and Tricks

When I met Pauline at a hotel room in Ghent, the sun was shining brightly. This led to a difficult light situation, with very high contrasts in the room. (Contrast ratio 10/1 sunlit: 1/500s f2.0 ISO100 – shadow: 1/50s f2.0 ISO100) You either have to stay out of direct sunlight, or be very careful working into it. The key here is to make sure that your exposures are good for the sunlit areas, and certainly not overexposed. This can be done by spot metering the lit area’s and fixing your exposure to that metering. This gives you dramatic contrasts, and a perfect light situation for the ‘hide and reveal’ kind of images. The situation became even more tricky later on, as thick clouds began to block the light more often than not. All images with Canon 5D II and Sigma 50 mm f1.4 Art.

I loved working with Pauline, she’s full of character, she has confidence in me as a photographer, and she’s willing to play with the camera. Of course her drama lessons add a lot to that.

see you soon for some analog images from this same shoot. I shot two rolls of T-Max 400 film that same afternoon.

Ludwig

Pauline

beauty, Personal Pictures

Pauline studies to be a drama artist, and she added some drama to our last shoot. 🙂

A close up portrait.

1/160 at f2.8 ISO 160 Canon 5D II with Canon EF100mm f2.8 Macro IS

Tatjana on film

beauty, Personal Pictures

From the shoot Tatjana at Sabine’s house, Kodak T-max 400 on Rolleiflex 3.5

Model: Tatjana DN

Make up: Heidi Huys

Hair: Nathalie Renard

Many thanks to Sabine V. for letting me use her home as a setting.

I’ll do another post soon with a little more information on the camera.

thank you for watching,

Ludwig

The best possible add-on for your dslr.

beauty, Personal Pictures, photo gear

I give evening classes for adults, teaching them the very basics of photography. They learn about aperture, shutter speed and iso settings, the basics of composition, light metering, Depth of Field, how to handle their camera etc. …

In about 5 months, they become a bit more aware of the ins and outs of digital photography.

Soon, after a couple of months, the same question comes up in every group: ‘I’m willing to invest in some more equipment, what should I buy?’.

You should see this question in the understanding that most people bought a DSLR (digital single lens reflex) without any technical knowledge about photography, and mostly they have followed the sellers advice of buying a body and a kit-lens (or two kit-lenses).

These zoom kit-lenses generally have a maximum aperture of about f 1:4.0 closing further down to f1:5.6 on zooming.

Especially when we talk about DOF (depth of field) and the relation between the aperture setting and the span of depth of field, my students quickly realize that with their zoom lenses with relatively small maximum apertures, they will never get the result they want.

A bigger aperture setting gives a more shallow depth of field, this means that the bigger your aperture is, the blurrier the background will be. An effect often sought after, to make the subject ‘pop up’ from the background.

So my advice mostly is: ‘buy yourself a good portrait lens, that is a fixed focal length lens, 50 mm for a camera with crop sensor, 85 mm for a full frame camera. It’s cheap, it’s lightweight and small, you can shoot in low light conditions, because the big maximum aperture lets in a maximum amount of light, and it will allow you to work creatively with the shallow depth of field it can give you.’

The best value for money you get with a 50mm f1:1.8 lens, which will cost about 120 € in Canon and Nikon.

Some examples with my Canon 50 mm f1:1.4

see you soon for more pictures!

Take care and happy shooting!

Ludwig

Lisa at the Mansion

beauty, people, Personal Pictures

Lisa came with her mother to the shoot. She’s only 15 years old, and I’ll never shoot a 15 year old without the approval of at least one of the parents. (written, signed contract). She was fun to work with, and presented a very adult attitude when posing. We had some great laughs, something between mom and daughter, and a very good shoot. Direct sunlight is generally not my favorite, but I tried to avoid too strong contrasts during the shoot. I did some different post processing on some shots. I hope you like the results. There’s more to come, so come again soon!

Take good care, and come again soon!

Ludwig

A different kind of Pauline.

people, Personal Pictures

You probably remember my posts with Pauline as a model, The Mansion shoot part I, part II and part III.

last Sunday I had another Pauline as a model. A little younger, but evenly charming to work with. In fact she had been also my subject for a free shoot somewhere in April last year. This time her parents asked me for the shoot. We met at the dance-school where Pauline has taken some dance classes.

I had told the mam before, that I’m not that much into children’s photography but she said she preferred it that way. She wanted a natural looking shoot, with no special extra’s.

For the technicians, not so much light in the dancing school, so an off-camera manual flash was used, to bounce some light from the ceiling. I use Cactus 5 trigger sets. All interior images with my trusted Canon 85 mm f1.8, the outside images (with the jacket) with 135 mm f2.0. On some interior images I used the Trigrip reflector in stead of bounced flash.

I’d like to share you these images. They each show a set of different facial expressions made during short communications between me and my model:

(you can click them to see them a bit bigger)

hope you like them, see you soon!

ludwig desmet alias charlemagne

Leyla – a long time ago

people, Personal Pictures

Leyla and I have been colleagues when I still worked in Brussels. She was the office secretary in the design bureau I was at that time. I left the design bureau some 8 years ago, and a lot happened since then. Leyla has studied to become a midwife, and she finished her studies last summer. Congratulations to her, for it is not simple to combine studies, a job and a family. Leyla has two kids in the same age as mine. We got in touch again trough Facebook, and Leyla loved the idea of a photoshoot.
She never posed before (seems to become a rule in my shoots) but with a little help she did really really well. We worked in the garden, the glasshouse, and in different rooms of the villa. I think she has very beautiful bambi eyes. Unfortunately she had to leave shortly after the shoot, so we didn’t get time to catch up on a lot of things. Thank you Leyla, for this wonderful morning shoot.

I hope you like the results. Click to see a bigger version.

I hope you come back soon.
Don’t forget, I’m finishing my exhibition today, it will be open on october 20 – 21 – 27 – 28 and then during Pinehouse opening hours till the end of november.

Ludwig

Morning mood in old villa.

people, Personal Pictures

Hi there,
I’m very pleased to be able to share these images with you.
I did a model shoot with Lien, in the old villa where I shot the urbex shoot some weeks ago.

I did a call for models some weeks ago, on my Facebook Page, asking for models for a ‘natural beauty’ shoot. No make-up, no special hairdo, no flash or other light accessories. Just a female model, some sensual female clothing, a nice location and limited photo gear. Lien was happy to volunteer. Thank you Lien, it was a pleasure working with you, and you did really well!

Lien has never posed before, she’s a mother of two young boys and just a regular mom and wife. I think it is important to tell you this, because I want to stress on the fact that for a good shoot, you don’t need any specific experience or training. It is the photographers task to talk his model into the right poses, and I think we worked together very very well. I knew Lien before, she’s a daughter of a couple of good friends of mine, so she was quite relax from the beginning of the shoot, that helped of course. But, it could have been anyone, … really.

We have worked with some different clothing sets, in different rooms of the villa. It is really a wonderful place to work in as a photographer. I would like to say thank you here to Dirk, owner of the house, to let me in for these shoots. Thank you Dirk.

I will not tell a lot more about this shoot, except that we worked together for about two hours, we had great light, good atmosphere, and we could easily start all over tomorrow and come with another complete set of fine pictures.
All images taken with my Canon 5D II, and Canon 50 mm f1.4, Canon 85 mm f1.8 and Canon 135 mm f2.0 . I love fast lenses and wide open apertures. A limited gear setup like this allows working fast, and concentrating on poses and light. Post processing was done in Lightroom 4, that took me another 2 and a half hours for the entire set of 115 selected images. I’m sure I could work more on any of the images, but I’m not that picky on details. 😉

Click on any image to view a larger version.

Comments are most welcome!

My website: charlemagne-art

Hope you come back soon!

Ludwig

Simple setup for kids shoot

people, Personal Pictures, personal tips & tricks, Tips and Tricks

I did some kids shoots in the previous weeks and I wanted to share this simple setup for nice pictures.

I was asked to do some portraits for a cousin and then with the same setup I took some pictures with our two boys together. Setup is the same and is like this:

I have a simple black cloth as a backdrop, a flashgun EX 580 II with a small softbox on a stand as a main light, a large styrofoam board (220×120 cm) as a reflector panel and a second flashgun (snooted with a self made insulator foam snoot in the back) to provide some rim light.
The results look like this (not the outdoor shot, nothing to do with this setup):

After the ‘brothers’ shoot, we had some fun with a balloon. They threw it up before their heads, and I shot it when it just passed their face. (I admit, we had to repeat this several times) I had some fun in photoshop afterwards.

Hope you liked this post!
Ludwig

Free shoot results

people, Personal Pictures, Uncategorized

Hi,

some weeks ago I offered a free shoot to my FB and other followers (FB followers are more nearby than my blog followers) I wanted to show you some results. Berlinda won the free shoot, and she received her pictures already.

– she was very pleased –

So I asked her if I could post some images of her daughter, a real natural poser and fun to work with.

Here they come: All done with natural light and one reflector. 50mm and 85mm lens.

Hope you like them too!

Ludwig

Workshop Bert Stephani

Internet tips and tricks, Tips and Tricks

Hi,

Last week I had the chance to follow the workshop ‘advanced speedlight techniques’ with Bert Stephani, contemporary portrait and fashion photographer from Steenokkerzeel, near Brussels.
There were three participants, of the four spots available. We had some coffee to start with, typically Bert I guess. 😉
Bert is easy going, cool, relax and above all, willing to share his experience. We had an interesting day, full of practical tricks and tips.

Some of the lessons learnt:

• When setting up a light situation, use your hand as a stand in for your model. It’s freely available, and never bored with your tweaking lights over and over again. In the meantime, your model can freshen up or relax a while.
• When setting up a combined available/flash light setting, first expose for the available light, then the flash, and last but not least, take pictures.
• When taking pictures with a model, encourage your model, talk it trough the shoot, give clear posing instructions, … introduce mini-breaks from time to time to make your model relax, and to offer yourself some time to think about new ideas. Don’t break the posing flow or the contact between yourself and your model by looking at the results. When your light setup has been setup well, all images should be fine afterwards.
• Be relaxed and confident as a photographer. Whatever your mental status is, it reflects on your subject and in your images.
• Work your light situation in function of the story you want to tell.
• Don’t give workshop instructions and bake sandwiches at the same time. (first bakery products got carbonized)

Some of the strong points of the workshop:
• Bert has a large studio space – the barn – , offering plenty of possibilities, different light situations, props, …
• We could freely ask for personal advice on challenging projects and thus influence on the content of the workshop.
• The atmosphere is cool and informal

Some of the weak points of the workshop: Sorry Bert if this bothers you, I feel like I need to be complete for my readers.
• The workshop seemed not prepared and rather un-structured and slow-paced. I don’t know if this is typical for Bert’s workshops, or just on this particular occasion.
• Workshop was marketed ‘including teaching, model fee and bread lunch’, the teaching was there, the bread lunch too, but there was no model, so participants had to stand in as a model for the other participants. I have no problem with modeling as such, but it limits your ‘photography time’ during the day, and on our last ‘assignment’ only one person could be the photographer, so neither me nor the third participant had images from this setup. As a participant I felt I had not the same level of ‘hands on experience’ during the teaching, when I was acting as a subject.

some images taken during the workshop:

Lynn Studio shoot

people, Personal Pictures, photo gear

I wanted to share some pictures with you from my latest school work. Yes, I still follow classes in Photography. I’m currently in the people/portrait class, and the first studio shoot was to be done with one flashlight. We could use whatever modifiers we wanted, and we had to work towards a chosen sample image.

I had chosen this image as my goal for this assignment: I don’t know the photographer of this image, if someone knows, pls. let me know so I can credit the image.

I knew that it was going to be a fairly hard thing to get, this soft light coming from everywhere. I was pretty sure that I needed indirect light, so I chose for two huge reflector panels (Polystyrene boards, 1.20m wide at 2m heigh). I already had left the idea of lighting the background as in my sample image.
I had a perfect model for this picture, Lynn. She is a hairdresser, and specializing for make-up-artist, and she prepared herself the best she could, based on this example picture.
This is my setup:

I have been working with my 85 mm 1.8 in order to be able to just hide behind the reflector. Otherwise I had too much flare from the lightsource.

these are some results with this setup:

After that we tried a second alternative, the softbox, and one reflector to the left of my model. I experimented a bit with different positions for shooting, and different poses.

Result was quite satisfactory, so we decided to do a completely different setup, just for fun.
I wanted a very localized light, and I had no snoot available, so a gridded flash with barndoors did the trick.
I turned these images into BW because they made me think of these movie stars, longing for the hero to come back home.

Second half of the evening, we didn’t have the studio available anymore, so we did some freestyling in the hallway after that, with a reportage flash off-camera, combined with my Tri-Grip silver/white reflector. These are taken with the 135mm f2.

Hope you liked reading, feel free to comment!

In bed with Sue

Interesting Links

Last weekend I got a message on the ‘belgian weddings professionals’ facebook group about a 3 day online streaming course by Sue Bryce. Sue Bryce is what I would call a feminine beauty photographer, specialized in make-over shooting experiences. slightly based on the 80’s glamour, but totally reworked into a contemporary portrait style, with modern posing, make-up, hairdo’s etc. trying to create a unique experience for the women being photographed.
I took some quick glimpses of the course, in-between work, and I decided to immediately buy the course. At 99$ it is worth every penny. I’m only at the end of day one, in my viewing, and I’ve got tons of very useable tips already. Can’t wait to see the rest.

Sue’s website:
www.inbedwithsue.com

the link to the 3-day course: (sorry the price of 99$ was only during the course, now its some more)
www.creativelive.com/courses/glamour-photography-sue-bryce

I immediately used some of her posing tips in my first model shoot this week and I was very pleased with the results:

Annelies Model shoot

people, Personal Pictures

Finally found the time to gather the best of this shoot, and publish.
Hope you like them. This shoot took place on one of those cold days in January, just about freezing outdoors. You’ve seen some shots from this afternoon previously here.
Thank you Annelies, for this fine shoot.

Disaster struck!

people, Personal Pictures

Hi,

I dropped my camera to the floor last week and my CF card broke.

Luckily enough my camera seems to be fine (Kudos to the magnesium body of the 5D II, only some exterior body-coating chipped off). So no reason for not posting anymore, then what has been the reason?
Work mainly. I have been overly demanded this last week, with finishing up my latest big assignment. I made about 40 minutes of 3D animation for a multimedia exhibition about the birthday anniversary of Mercator, 500 years ago. pls check out the link: www.mercatordigitaal.be for more info. I really had no energy left for photography, unfortunately. This should get better in the next few days, as I’m finishing the final touches on the last animation. So pictures will soon find their way to my blog again. I will take up the 85/85 project where I abandoned, and just continue the days to go.

Just wanted to share you this one. A homework from photography classes: take a portrait of your neighbor! And sorry, no this has nothing to do with the title of this post.

thank you for your patience, see you soon!
Ludwig

low light model shots

people, Personal Pictures

Did a shoot tuesday afternoon in Ghent, with model Annelies.
We got so cold during the shoot that we decided to go for a coffee late in the afternoon. Good moment to test my new 50mm 1.4. Very little light, not too much place for moving around. These are the results (heavily tweaked in LR I admit), think I’m gonna love my new lens.

All images wide open at f 1.4, 1/30th of a second, ISO 640.