A genuine smile – Charisse –
Canon 5Ds with Canon 135mm f2.0 L – 1/1600s f2.5 ISO 400
Model: Charisse
Make up: Kelly
Photography: Ludwig
thank you for looking
ludwig
Often I try to find out what drives the women to come over to my studio and do a shoot with me. This helps me to decide what kind of shoot they want, what kind of images they would like to go home with.
C. told me “I like beautiful photography, it might be a little vanity, or that ‘little twist’ of mine, the will to pass the boundaries of conformity, … I expect to see myself different than what the mirror, or my mindset want to make me believe.”
after she received the images, the message I got back:
Waauw, what a nice surprise. Thank you for these wonderful images. Sure you may publish them on your blog, they are fantastic.
thank you for watching,
ludwig
hi there, it’s been a while since you’ve heard from me,
I would like to present you a new series with Pauline, you’ve probably seen her before in my work.
This time we worked in a new location in my hometown Ronse. The building of the Academy for word, music and arts. Currently the building is used by local clubs and associations that needed a place for meetings and gatherings.
I like to work with Pauline a lot, and this feeling seems to be absolutely mutual, seen the post that Pauline put on her wordpress blog recently: ludwig-desmet-the-ballet-room-and-the-old-theatre
We made some interesting images I think.
All shot with the Yashica 635 on Kodak TMax400 film, pushed 1 stop (shot as if it would be an 800 ISO film, and developed as such)
thank you for watching.
I’m currently preparing three more shoots, so come back soon,
ludwig
Bowie is no more, let’s remember some of his words.
so I’ll keep trying, till I succeed …
– Justine –
thank you for watching
Images © ludwig desmet – Canon 5D II with Canon 135mm f2 L
– 2016 will be a good year –
ZEN
thanks for watching
ludwig
1/30s f2.8 ISO 1250 Canon 100mm Macro
I have worked an entire day with Aude, so we did a lot of different things.
After the ‘Castle shoot’, both analog and digital, we went to see Bart’s house. A beautifully situated cottage house in the Flemish Ardennes. Thank you Bart and Anja, for having me in.
A new location is always a bit harder to work with, but gives you plenty new possibilities for images. Please enjoy these analog images, taken with an old Yashica 635 camera, on a dull grey day.
and a ‘behind the scene’s image, remember, keep the lady warm.
thank you for watching, have a nice year’s end all of you,
ludwig desmet
My first 100% analog photoshoot. Shot with my Rolleiflex 3.5 TLR camera, on Kodak T-Max 400 film.
My model had taken the initiative to look for great clothing and accessories that fitted them well. Next to first time only analog, also first time with a model in a crowded place. Ik kind of enjoyed the public interaction.
I hope you like the images, thank you for watching, thank you Corry for being my enthusiast model on this drizzling day. Thank you Nathalie for the hairdo, thank you Hanna for the make up.
please come again soon, for more images with this and other analog camera’s
The story is told that there is a ghost swarming above the castle lake at night. It is there to protect the treasure of gold and jewellery, hidden in the waters of the lake.
I’ve never seen the ghost, nor have I any proof about the treasures existence, but it sure does great as a photo shoot backdrop.
I have a lot more images from this series, analog as well as digital, so visit this blog again soon to see the remainder results.
This image: Rolleiflex 3.5 TLR with Kodak T-Max100 film.
Model: Aude
Make up: Heidi
Hair: Nathalie
photographer: Ludwig 😉
talking about archetypes 😉
I developed these images a bit ‘off style’ or at least off my style, like or not?
All images with Canon 5D II and Sigma 50 mm f1.4 A DG.
1/25s f2.2 ISO 500 (close up images)
1/8s f2.2 ISO 250 (full body images) on tripod.
thank you for watching,
Ludwig
… hidden in the deep black waters of the garden pool.
Thank you Jane, for being my beautiful model on this cold but sunny afternoon.
Thank you to the owner of this magnificent garden we could work in.
Thank YOU for watching this post.
All images Canon 5D II and Canon EF 24mm f1.4 L II at f4.0 ISO 100.
There’s a lot to come, so come again soon.
best,
Ludwig
a single image post.
I find it rather intimate and peaceful, expressing proud and stability.
‘BLACK’
tomorrow I will show you the counterpart, same setting, same pose, same model, just I as a photographer have moved.
Technical details: Canon 135mm f2.0L at f2.2, 1/200s, ISO 320
thank you for watching, don’t forget to come back tomorrow for ‘WHITE’
ludwig
Hi there,
I have been developing some negatives from last summer lately.
First a series of images I took in a dark attic, on a dusk day. Ideal conditions for film-work with an antique camera. (Not!)
Hard to focus, hard to get shutter speeds high enough for hand held shooting. I worked with a 400ISO film and had to push it two stops (underexpose when exposing, then get a ‘pushed development’ in developing the film) to get a shutter speed of 1/15th of a second. I’m not really very fond of the exposures, because I think they lack grey tones. The images are very contrasty and full of grain.
All images Rolleiflex 3.5 75mm on Kodak TMax400 film.
Come again soon.
ludwig
I normally don’t do weddings, this shoot has been a kind of a ‘after wedding’ gift from the bride to the bride. 🙂
Never a bad thing if you can give yourself a gift. Elisa chose to have herself portrayed as a souvenir for later.
We played around with a lot of different themes, here’s the wedding dress theme. We started nice, we ended a bit naughty.
Extremely difficult shooting situation, with almost no light (1/25s at f2.8 and ISO640) a tripod is of good help in such situations. All images Canon 5D II and Canon EF 100 mm f2.8 Macro L IS. A tripod and live view allow for accurate focusing (using live view zoom modes and the tripod takes care of long shutter speeds. Be careful to tell your model not to move during exposures.
I hope you like them.
thank you for watching,
ludwig
There’s a lot going on on the internet about how to get your model in the right pose. Workshops, do’s and don’ts, streaming video’s, the basic rules for a good pose, etc. …
Now what if we forgot all about it, and just have the person in front of the lens completely be herself? That is what I tried a couple of weeks ago with two ‘recurring’ models. They both had been with me for a shoot before, so they more or less know how I work and what to expect. I explained them that I wanted a part of the shoot to be completely void of instructions from my side. After all, I am a man, and when I put my models in a pose, this is man-mind driven, and can never be completely natural. I asked them to ‘not seek’ me with their eyes, pretend as if I was not there, and just slowly wake up from the comfortable spot I gave them.
Confidence is a key-word I guess, in this kind of work, since they do not know what I want, they do not know what I see, and they do not know when I’m going to take a picture. They must be self-aware, at ease with the surrounding environment, with me and with the idea that they can just simply enjoy this moment of quietness and peace.
Self induced posing, it is 100% the woman in the pictures. All natural. I hope you like them. Thank you Justine.
The sun was slightly warming the place, it was quiet and nice, honestly I think she would have stayed in bed, but that wouldn’t have given us these nice pictures wouldn’t it.
thank you for watching, I have more images with Justine waiting to be published.
ludwig