• Ebony •
1/20s – f2,2 – ISO640
Canon 5Ds with Canon 135mm f2 L
there’s more to come, see you soon again,
ludwig
A second series with Ava at the Castle.
The weather is fine, not much to do but being beautiful
and spend the afternoon on the quiet back-terrace of the castle.
All except the last images on Canon 5Ds and Canon 100mm f2.5 Macro L IS.
Last image Sigma 50mm f1.4 A DG.
thank you for watching – I’m on instagram too now, but there you won’t find any nude images: instagram.com/ludwigdesmet
cheers,
Ludwig
FOAM in Amsterdam had a retrospective exhibit on Helmut Newton, fashion, art, fetish and erotic photographer from the last century. I wanted to visit it, and it ran till september 4th, so yesterday we went for a visit, unfortunately for you, my readers, its over.
I had an autobiography on Helmut Newton since a couple of years now I guess, and I quit reading it for I got a little annoyed, even irritated by the rather arrogant, selfish, non woman-friendly narratives in this book. (Helmut Newton Autoportrait, by Robert Laffont).
Anyway, I still love his work, his way of depicting strong, beautiful women, and his way of combining fashion photography with daring eroticism, both implied and explicit.
The exhibit had a fine collection of prints, starting with his 60’s fashion work (that made me think a lot about a long time favourite of mine: Jean-Loup Sieff), over the more erotically oriented images in his long collaboration with Vogue, his personal work with protheses and nude women, his impressive ‘big nudes’ and finally his extensive list of portraits of famous people.
Especially interesting I found the film montage, made by his wife June, which gave a very intimate insight in the life and working atmosphere in which Newton, his wife and his entourage moved along. Not the spoiled kid he talks about in his biography, but a rather playful, humorist, (hard) working, focused photographer. It surprised me that some people started sniggering when he was instructing his models into a certain pose, and that made me think about how little is known about this kind of photography, this kind of dialogue between photographer and model, to people who are not part of this world. We discussed about it (Nathalie and me) and she decided she should film me when I’m working with my models. – GOOD IDEA! –
I was rather pleased to see so many people visit this exhibition (Sunday being the last day might have been a factor) and especially to see so many women around. This makes me think the perception of Helmut Newton being an ‘objectifier’ of women is not a general one.
His work is inspirational to me, it has long been underestimated from the photographic art scene, and it probably still is, it was daring in its time, and it still is daring to tackle the nude subject in our times, so not much has changed. There’s a lot of work to do, and its a tough job, but someone has got to do it, so let’s get going. 🙂
some impressions, © of the depicted images is Helmut Newton of course.
Thank you for reading,
ludwig
from the shoot – and exhibit at Baudries Castle – Dikkelvenne
– Jane –
Canon 5Ds with Sigma 50 mm f1.4 DG A – 1/50s f2.5 ISO 160
Model: Jane, Hair: Nathalie, Make up: Heidi.
Although the place was one big transformation site, we managed to do some really nice things up there. Enjoying a wonderful bright day and using some of the original interior elements as a decor, both Jenn and Jane proved great models. Thank you Jane, thank you Jenn. A lot more images of this day will follow in the coming weeks.
A big thank you to the owners of the castle, for letting me work there, and for their hospitality, both for the shoot and the exhibit. The exhibit is over, some of the images can be seen at ‘Het Godshuis’ – Sint Laureins, till the end of August.
Thank you, …
for your overwhelming presence,
for your fine company and chats,
for your enthusiasm,
for the fine reactions in my guest book,
for massively visiting my web-blog,
for coming to DAMME in the last couple of weeks.
It was a pleasure to present my ‘madammen’ in this small gallery, to talk about my work and your interests, to show you my book, to hand over so many representation cards and to meet you all, wonderful people.
The ladies are gone, …
but hey, no sadness needed, from June 4th you can see another selection of my work on two locations in GAVERE and DIKKELVENNE.
In Gavere (entrance road to kasteel Grenier) I will present a selection of 4 years of work, black and white, printed on large format in an outdoor exhibit (thank you Gafodi!) In Dikkelvenne (kasteel Baudries) I will present an unpublished series , result of ‘A day in Residence’ at the Château, with two different models.
The prints are made, the frames are ready, …
hope to see you there soon,
ludwig
After the ‘movement on stage’, we concluded the session with some more intimate moments. I have photographed digitally as well as analog, on medium format Yashica 635 with Kodak TMax 100 film.
Thank you Pauline, for being my model.
make up: Hanna
Hair & assistance: Nathalie
thank you for watching,
ludwig
She hesitated to agree with publishing this image, but she did. Thank you Jane. It was a pleasure to work with you, and you expressed gratitude to what we achieved together. I’m glad I could bring you confidence.
Jane, my body is my temple …
© ludwig desmet
Canon 5D mark II with Sigma 50mm f1.4 DG A
1/30s f2.0 ISO100
Please enjoy Jane, posing in her catsuit.
rather difficult to make images of a good looking body in a catsuit not look ‘sleazy’ or ‘cheesy’ or whatever you might call it. (cheap looking soft erotic style)
I hope I managed in some way to prevent these images from looking that way. I’ll leave the judgement up to you.
Images taken with Canon 100mm f2.8 Macro IS L (1 and 2) and Sigma 50 mm f1.4 DG A (3-4-5) – ISO 100 on Canon 5D II.
Thank you for watching, thank you Jane, for being my patient model on this cold day, thank you to the owners of the house for granting me acces to this great playground.
Ludwig
“I had the impression that Ludwig was not really convinced about my determination to pose nude. I think he wanted to be careful not to hurry me into things I didn’t want to.” Then I told him, “I have decided to pose nude, and I want the images to show that I am proud about it. I am proud to be the woman I am, and I am willing to show that to the outer world.” And that is what I wanted to express, the determination I found within myself to show my body and my nudity to myself, to my husband and to the world. I think no woman should be ashamed or scared about how she looks. Even if it took me a long time to convince myself to pose nude, I’m so glad I did it, and I would encourage every woman to do the same.Thank you Ludwig, thank you to my husband and to Ludwigs wife Nathalie, who helped me trough the process.Elisa
Now that the days have turned dark and wet and cold, here in Belgium, time to look back at that great summer we had.
• Surfing the clouds •
1/100s f11 ISO100
Canon 5DII with Canon 17-40mm f4 at 19mm
Model: Pauline
Make up: Heidi
Photographer – me
location: shoes or no shoes – with permission
available as limited edition print.
talking about archetypes 😉
I developed these images a bit ‘off style’ or at least off my style, like or not?
All images with Canon 5D II and Sigma 50 mm f1.4 A DG.
1/25s f2.2 ISO 500 (close up images)
1/8s f2.2 ISO 250 (full body images) on tripod.
thank you for watching,
Ludwig
as promised.
This image has an even more zen-look to it I think. The expression and the eyes closed make this image a witness to the models well being at that moment. Thank you Elisa, for being my model that day.
As I said yesterday, this image is taken at the exact same spot as the previous one. That is why I love working with available light, it gives you so much possibilities in a single space, …
‘WHITE’
Technical details: Canon 100mm f2.8 macro L IS at f2.8, 1/30s, ISO 160
thank you for watching, don’t forget to check out my galleries: Beauty Black and White – Beauty color
ludwig
a single image post.
I find it rather intimate and peaceful, expressing proud and stability.
‘BLACK’
tomorrow I will show you the counterpart, same setting, same pose, same model, just I as a photographer have moved.
Technical details: Canon 135mm f2.0L at f2.2, 1/200s, ISO 320
thank you for watching, don’t forget to come back tomorrow for ‘WHITE’
ludwig
I’m getting more and more visitors on my site, year after year for which I am thankful. It means my images appeal to at least a certain public. But I get less and less likes or comments on my images. Not that that really bothers me, but it made me think that we might not have made much process in accepting nudity in society, since R. Doisneau made this little secret setup capturing the public reactions to a painting depicting a nude woman in some art gallery’s vitrine.
“La femme indignée by R. Doisneau 1948”. There’s more images to be found on the internet. look for ‘le regard oblique’.
Dare to express the love for female beauty my friends. Nothing wrong with that 😉
while you are here reading, you might as well take a look at my galleries, some new images are added from time to time.
ludwig
it is not really the season for cherry trees blossoming, but this is from earlier this year.
A giant cherry tree in early blossoming, of course mirrored to a beautiful woman.
A single image post, from the same shoot as Sirrus and some other images with Pauline. Thank you Pauline for your efforts and good mood.
for those who might be interested in the technical aspects:
1/160s f9.0 ISO 100 – Canon 5D II with EF 17-40mm f4 L at 20 mm.
best,
Ludwig
Hello there,
some nice days in september allowed for some extra outdoor work.
the atmosphere in the garden was nice, the model was feeling good and relaxed. We spent some time here enjoying the sun an warm weather. The most difficult thing to tackle are the bright highlights. It is almost impossible not to wash out the highlights if you want some decent light in the shadow area’s. thats why it is actually much easier to shoot in a softly clouded sky situation than with bright light. Exposing for the bright highlights will give you near black shadows, exposing for the shadows will give you over-exposed hightlights.
I do not have an assistant with a sun-washer filter, so I often will shoot in a back-lit situation, with some highlight clipping in the bright area’s, and a lot of fill light in post processing. An alternative is seeking for the cover of a leaf tree, as we did in some images.
Elisabeth did great. Thank you. I hope you like the images.
Except last two (50mm Sigma) all images with Canon 135 mm f2.0 at f2.5
Hi,
I enjoyed working in my new location the last couple of weeks. It is spacious, very quiet and private, it has a lot of windows, and a large amount of possibilities for different shooting environments. Unfortunately the summer is swiftly passing away, and with the colder days coming in, models probably are going to get goose-bumps again. Difficult to retouch, not pleasant for the model.
That is what I’m missing the most in our Belgian climate. Rather than being half summer half winter, we only have 2 months of summer, the rest of the year is half fall half winter.
I had two shoots last Friday, you should get images from them very soon. This one is from earlier this summer.
Enjoy 🙂
1/50s f2.0 ISO 320
Canon 5D II with Sigma 50 mm
come again soon,
ludwig