Author: ludwigdesmet

Working Collectibles – Yashica 635

Analog, location

A long time ago I started a couple of posts called collectibles, old and forgotten (or maybe not?) film photo camera’s, but still working fine. Today a new chapter to this series, the Yashica 635 TLR.

This camera is a twin lens reflex camera, featuring a Yashicor 80mm f/3.5 viewing lens and taking lens. It has a Copal shutter with shutter speeds from B – 1sec to 1/500sec.

This camera is visually very comparable to the much wanted Rolleiflex TLR camera that I use often in my sessions with models, it has about the same size and weight, both have a waist level viewfinder and a back lid that opens from the bottom. This Yashica 635 has the the added benefit that it came with a 35mm film adaptor (next to the standard 120 roll film system) that allowed for a more versatile use. I have never used mine with 35mm film (I don’t have the adaptor), so I can not report about that. The use of 120 roll film is very straightforward, and very similar to the Rolleiflex camera. An empty roll goes on top, the film roll goes in the bottom and is guided with rollers towards the top roll.

A very important difference in both camera’s is that with the Yashica, the shutter is not linked to the film transport.  I have been used to the Rolleiflex, and this camera prevents to fire the shutter twice in a row, so you have to transport film in order to be able to expose film. With the  Yashica you have a separate shutter winder, so you can do as many exposures you want on a single sheet of film. This is an important difference, that caused me quite some double exposures lately, as well as some missed shots because the shutter had not been tensioned.

Quality wise, this camera produces good negatives, a bit softer maybe than those coming from the Rolleiflex, but certainly having a good sharpness (if you manage to focus right, which is hard to do with the old matte screens).

Now for some images taken with this camera. (a series I did on the local fair in Ronse a couple of weeks ago) All images on Ilford FP4 Plus 125 ISO rated as 100 ISO)

thanks to my model for the day, Emily, this was our first collaboration.

 

If you would be interested in buying a camera like this, they are very affordable, especially compared to Rolleiflexes.

Working Collectibles – Agfa Isolette

Working collectibles Voightländer Bessa I 

 

thank you for coming by, come again soon for a year-round review about 2018

Ludwig

eros was in the studio – NSFW

erotic, Nude

and he left me with some nice images.

I love walking the boundaries of erotica and art, I’m not sure how and where the limits are, but I kind of like these images. For me they are erotic, artsy, tasteful, beautiful.  It’s winter in Belgium, and the weather forces me to work in the studio more than I would like, but this session boosted my confidence in the studio a lot. Some things could have gone better, I should have paid more attention to my light levels overall, but the division of light and the addition of water and the poses and the model worked out all very well. Working in the studio is a completely different game than working with available light outdoors, it has other challenges, it needs a totally different approach. I used a couple of different light setups, all based on minimal lighting, creating only highlights on the models body. I was inspired by the nude work from Andreas Bitesnich, and wanted to experiment within his style. I especially love the way he works with highlights accentuating the body shapes, and I was not really able to recreate what he did, but then I didn’t really care, since I created something new 🙂

Thanks to my great model, Charisse again 🙂 small and pretty, she never thought she could become a model due to her size, but is making her way trough faster than she could imagine I guess.

 





Thank you for visiting, I will soon have my own Patreon page, where you will be able to financially support my work! You will be able to choose between a set of tiers that I’m sure will please any of tastes. Be it just supporters, apprentice photographers, or collectors of art-nude!
Please don’t hesitate to leave a comment!

Ludwig

BLACK FRIDAY PROMO ON BOOKS

Uncategorized

looking for a Christmas present?Black friday promo:
-25% on all orders till 24/11*
you can find more info about my books here: https://www.ludwigdesmet.com/books/
Send me a message for your orders on ludwig(at)ludwigdesmet(dot)com.

Women edition 2018 now 59,99€ was 79,99€
Landscapes and other things… now 93,75€ was 124,99€
Nude (in)cognito now 59,99€ was 79,99€
If you are an entrepreneur, you can get an invoice for your order of course.

(*payments received at last on 26/11/2018)

freestyle shooting in the studio

erotic, Nude, studio light setup, Tips and Tricks

Two weeks ago I did a model call for a freestyle shooting session in the studio, just to try out some light setups and to not forget about working with studio strobes. Remember, 90% of my work is purely based on available light.

I had two models coming over, one male that I never worked with (lets call him Steven) , one female that I had regular cooperations with since about two years, lets call her Charisse 😉

Steven never modelled, he said the day before he came to me. Ok great, I told him, that’s cool, so we can find out if newbies can lead to great results. And he did, 200% he did. See for yourself:

 

the images above are all made with two studio strobes.

Then that same morning, after this first session I had Charisse arriving at the train station for pickup, and we started shooting early in the afternoon. A totally different setup, with both nude and non-nude work, of which I will show you only a small teaser for now. We did a lot of different things, with a lot of good results, so make sure you come back again soon.

 

 

thank you for stopping by, visitor of this blog. Consider subscribing if you like what you see. Come back again soon.

thank you Steven and Charisse, for being my interim models for the day, for your patience and your trust!!

Ludwig

 

ps. I: soon I will be on Patreon, where you can support my activities and get extra behind the scenes video’s, how to tips, and other benefits! Watch out!

ps. II: video: me cleaning the studio afterwards, here you can see more or less all I have in the studio. Limited stuff, a lot of creativity.

Statue in my garden, full series

beauty, erotic, location, Nude

Hi there,

things are calming down a little here, with fall offering less possibilities for shooting outdoors, I have to get back behind the computer to finish some series shot earlier. You might have seen a first image here.

From the series I did with Charisse, early this summer. It was very hot that day, and I decided to play around with some natural plaster (easy and soft on the skin) outdoors.

this is my final series, definitely something I want to explore more when the weather allows for it.

• Statue in my garden •

 

thank you for watching!!

Ludwig

the treasurer

beauty, Personal Pictures

Sorry if you have been trying to reach this site and blog in the last 24 hours, it has been down due to a PhP update on the host’s side, and I am by far not a web-tech-geek, so it took me a moment to figure out what happened, and to fix things accordingly.

 

to compensate, a single image post.

I had this first collaboration with Emily two weeks ago, and we made some nice images. We worked in the studio first, to continue after that on the local city-square, where there was this fair going on. I shot two rolls of film on the Yashica 635. A first glimpse at the developed films shows that either there is something wrong with the film transport mechanism, either I have not paid attention and unintentionally double exposed some of the frames. To be continued.

• The treasurer •

thanks for watching, please come again soon.

Ludwig

Statue

beauty, erotic, location, Nude
I am not a photographer that creates standard sets, to create guaranteed results and a quick turnaround. Models that have been working with me know that. They come to my place, or to any location we have available at the time, and we start working. I never make very much of a plan, but try to be creative as we go.
This set however was planned, at least the experiment was, the outcome was not foreseen, but it turned out quite well after all.
Ingredients: some natural home building clay and water, a beautiful girl that is not afraid of an experiment, and a day of very hot weather.
• Statue •
 thanks for passing by,
Ludwig

fall is coming

landscapes

hi there,

I have been doing some interesting studio sessions this week, but the images need some more work before I can publish. First this, fall is coming and I’m happy to live in some of Flanders greatest landscapes, the Flemish Ardennes, or in dutch ‘De Vlaamse Ardennen’. the region is well known among foreigners for the Belgian cycling classics that come by here every spring. Kwaremont, Koppenberg, Kruisberg, Patersberg, … all cobblestone climbs from the best of bicycle races, and certainly famous from the ‘tour de Flandres’.

Just next to some of those climbs you can find Flanders most beautiful forests, lying on the hills that have been left behind when the rivers Schelde and Leie sculpted our land.

Below you can see the result of yesterdays afternoon walk trough one of the finest forests.

All taken with Fujifilm X100F on a Siriu T-005-KX mini-tripod. All at ISO 200, varying aperture and shutter speeds.

• Fall is coming – Hotondberg •

thanks for watching,

see you soon for some more work!!!

Ludwig

 

Michelle at the flight club

Analog, beauty, location

from this summer, early in July, I was in the Netherlands with my wife and I could spend some time there photographing. I had a meeting with Michelle, and in a last minute arrangement I could shoot at the local glider plane club. Michelle had this very classy, classic looking set, a slim fitting skirt and a beautiful blouse, and there was this plane waiting for the thermal to build up. I shot a couple of rolls in this setting, this is my selection.

• Michelle at the flight club •

I had the film developed by a local lab here in Belgium, but I was not really pleased with the quality of the development, and the care they have (not) given to the films. Lesson learnt, better take time to do my own developing at home. This has cost me a lot of retouching spots, dust, scratches, and the results are only ‘just good enough’ for publishing on the web.

best regards,

come again soon, and if you feel like, subscribe to my blog!

Ludwig

 

fear of failure – girl with an attitude

contests, erotic, exhibition, Nude

hi there,

I had some very good news last week. I have received an invitation to be the guest artist for a rather well known exhibit next summer. All expenses paid. That is a première for me, and a pleasant one.

I have been checking out the list of guest photographers that have passed in the previous years of this very same exhibit. … some well known names, some great artists, some who I esteem way above my league. Then doubts started coming up … is my work up to this level, will I not be blown away by the other participants (selected by jurors and curated by someone known in the field of art photography) … It struck me rather hard, to be honest.

Take a deep breath, listen to my wife’s saying ‘you have been asked to be the guest photographer, so what are you still worrying about’ … I guess she’s right, so let’s go, … I enrolled in a mentorship program that starts next week. I had confirmed to this before this invitation came in. To be honest I had no real item to work on, till now. I will use this program to fine-tune my work, discuss my work, discuss the selection of images that will be exposed, maybe prepare a book that will go with the exhibit, … exciting times to come, I will keep you updated.

More great news came in this week, when the organizers of the ‘fashion nudes’ contest run by Normal Magazine (France) contacted me to send them the high resolution files of the images I sent in for the contest. This means I got selected in the pre-selection, and my work will be printed for the final jury. Jippiieeeee!!

One of the images I entered for the contest:

 

• girl with an attitude •

Strolling trough Paris with the Rolleiflex part III – talking about film photography (again)

Analog, street, Uncategorized

no I haven’t been to Paris recently, so these images are, well, from a while ago (late 2017), I have published a single image from this trip already, but here is a more complete set. All taken with the Rolleiflex 3.5 TLR, in dark and difficult light this time (interior, winter, …)

What is it that convinces me to shoot film from time to time? I talked about this before, but here’s one other reason, I started thinking about it listening to an vlog about Photokina, and how this is all about gear and how the big brands have missed the revolution on the mirrorless camera’s and now need extra marketing efforts (and lies) to get to pace with the competition etcetera, etcetera. … (Michael Zelbel from goodlightmag)

when shooting analog it makes me feel that I am not running into this treadmill of commercial marketing ‘have to sell’ rush that the mainstream photography world has become since it became a mass-product. Look at the average photography magazine on the book store shelf. Half of the pages will be about new gear that has reached the market, how the latest gear has reached new levels of ‘better’ since the last best camera. How it will improve your photography, become an extension of your eye, and even bring you the ultimate shooting experience. blah blah blah, I have been in marketing for a while myself … The other half will be divided in ‘how to’s’ on the use of the latest software updates to make that perfect camera shot even better, or how to use the latest lighting gear to enhance your vision and creativity. Duh. … If you are lucky, there is a small section in the magazine that will cover large exhibitions, and maybe some portfolio’s from photographers (a couple of pages from the 100+ total number of pages)

I am sure that the Rolleiflex came with its own sauce of marketing blahblah at the time it was launched, but that’s a long time ago and I’m not bothered with it. Even now, new film camera’s are still made, but have you ever seen an add for one? They don’t really push, they wait till you go looking for them and then you’ll find them.

I shoot this antique Rolleiflex camera, with black and white 120 film that exists for ages now, and no accessories. When I use it, I simply can not feel the need to rush to get my images on the web (FB, Insta, … ) because that is literally impossible, with the film needing to be developed. I don’t get stressed on having to recharge batteries, because it has no batteries. I do not have to decide which lens or focal length to use, because it comes with a fixed focal lens that is not removable. I even don’t have to decide to shoot horizontal or vertical, because the image format is square. I can allow myself to just observe my environment, look at what people do, try to capture moments, details, … that come to my attention. If I miss a shot because my gear isn’t up to date, well I missed it, maybe I will be lucky next time. …

long live simplicity (maybe I’m getting old 😉 )

The pictures, with a little word, so you can find out where I’ve been strolling.

107 cubic inches, this one has been published before on my blog. Waiting for service at the Harley-Davidson shop in Boulevard Beaumarchais.

the queue for the Irving Penn exhibit that ran in the Grand Palais in Paris

part of the exhibit on Irving Penn

preparing for a kite flight on the Esplanade des Invalides

taking a break from cooking – the chef at Café de Mars – Rue du gros Caillou

plagiarism at Fondation Louis Vuitton

smooth curves architecture by Frank Ghery (Fondation Louis Vuitton)

people enjoying the audio-installation at  Fondation Louis Vuitton

Me taking a self portrait at Fondation Louis Vuitton

time to prune the plants maybe? – artisan fleuriste at Rue Vieille-du-Temple

 

cheers, hope you come back here soon.

If you want to see more images taking with the Rolleiflex in Paris, look here

If you want to re-read a previous article about shooting on film, this is the place: shooting film

cheers,

Ludwig

 

Smooth curves

location, Nude

Could there be any greater resemblance? The curves of the female body and the smooth shaped hull of a glider. At least I sea beauty in both, I hope you too can appreciate these smooth curvatures.

Taken with the well appreciated approval of the gliders club director, and the willing club-handyman. Somewhere in the Netherlands.

• Smooth curves •

model: Michelle Alba

Canon 5Ds with Sigma 50mm f1.4 A DG

1/500s f/1.8 ISO 100

 

Strontian

landscapes, travel

Do you remember this one? I do, I was wet and cold to the bone, and then I discovered this moss overgrown forest, and the rain calmed down a little. Something I couldn’t resist to.

• Ariundle National Nature Reserve – Strontian – Scotland •

0,3 sec f11 ISO100 Canon 5Ds with Canon 17-40mm @19mm

…

The Zinkae exhibit I took part in has ended yesterday,

a lot of people were a bit surprised not to see my women, well, I think it’s good to surprise people from time to time. 😉 See you there next year!

Lilith in Brussels – the film files

beauty, location, Nude

Travelling art-nude models mostly rent very small rooms, to make their travelling as cheap as possible. Shooting in their room is most often not an option. This one was different. Some other photographer booked her a spacious and very well lit room in the centre of Brussels, and for some reason he only booked the model for a very short period of time, so she had a couple of days available for other photographers. A bit of a last minute arrangement and I was of to Brussels. The room had a line of windows facing south/west, and every widow had its own curtains. A perfect spot for a shoot.

It’s a tedious process, developing, scanning, retouching the dust …

… but when the results are good, it’s all worthwhile. From a shoot I did in the beginning of june, taken with the Rolleiflex, on Ilford HP5 plus film (ISO400).

 

• Lilith •

 

Sunrays – a beam of light in a pitch black studio

beauty, erotic, Nude

A rough carpet, a little bit of sun, and a big black curtain to block te rest of it. That is all that was needed for this series with Charisse. I had a bit forgotten about this series, it was made the same day as we did ‘an apple a day’, and I was so fond about that series that this one got a bit lost. Here we go, all images taken with Canon 5Ds and 50mm f1.4 from Sigma.

The settings are very similar between images, shutter speeds varying between 1/400 and 1/500 and aperture f:3,5 or f:4.0. ISO is at 100.

Charisse feels confident enough to generate a series of sensual, intimate poses, and she hardly needs direction, except for keeping the sun ray in the right place on her body and face. The light is hard to manage in this kind of situations, only one rule: measure for the highlights, and don’t care about the shadows. This gave me these nice, contrasty images, with a little room for imagination and mystery. Thank you Charisse, for this very fruitful day!!

• Sunrays •

Want to get a shoot for yourself, contact me now for your life-changing experience!!

Goodbye summer time, exhibit closed.

exhibition, location, Nude

For the last day of the exhibit, i had posted an invitation on Facebook for a guided tour trough the exhibit. It was a cosy gathering, I gave visitors some inside, behind the scenes information, and people could ask questions about my work, my gear, the models, locations, etcetera.

The exhibit is now over, I have no idea about the number of visitors in total, as I was present only now and then. The reactions in the guestbook are mainly positive, some very positive, some very negative. It always shocks me to see how some people are still very narrow minded about nudity, even if it is brought with delicacy and taste. Fortunately I have my wife who is very supportive in getting me over this kind of comments. 🙂

Visitors have very different ‘favourites’, but in this exhibit, one image has received a lot of praise. It was an image not previously shown, and here it was shown in the massive size of 110x165cm (44″x66″), hard to miss. People praised it because it had a lot of ‘naturalness’, it seems not posed and very natural, at the same time intimate, and casual.

the model is Kate Ri, the image is titled • greenhouse flower • it was shot in the Royal Glasshouses in Meise, near Brussels, on a cold day in January.

The image is still for sale, as is all my personal work, if you are interested, send me an email on ludwig(at)ludwigdesmet(dot)com

thanks for reading, see you soon!

Ludwig

 

Exmoor National Park in 20 images

landscapes, travel

Hi there, yes I travelled quite a lot this summer. I took a week off to do a little motorcycling trip to Exmoor National Park. I was not sure where to go, as I never make any reservations except for the Ferry, but I ended up riding to New Forest National Park on the first day, and then trough to Exmoor National Park for the next five days. (Lynton/Lynmouth). I took my Canon 5Ds with 17-40mm wide angle zoom and a couple of filters, together with my Siriu mini tripod.

I was really charmed about Exmoor National Park, I could still enjoy the last days of the hot summer period we had all over Europe, so I did not get too much rain. The landscape exist of roughly three different types: 1. The coastline with beautiful, spectacular at times, cliffs to the North, 2. The valleys with a diversity of grasslands divided by hedges and dense, green forests 3. The moors, with their wild grazing animals, scattered trees sometimes, and flowering broom and heather, at times overwhelming! I Stayed at the same camping spot for four nights, which gave me plenty of time to walk the very vast network of public footpaths. These walks, together with the short motorcycle trips in the region have given me a good idea of the overall character of the National Park, and gave me the possibility of taking pictures at ease during my walks. Last year I went to Scotland and I moved my tent every day. This lead to interference between ‘wanting to get somewhere’ and ‘wanting to take pictures’. I didn’t have this inner battle this time. Conclusion, a very enjoyable trip that gets me thinking about my next destination already.

I have not used the tripod nor the filters, except for the last day, when I was already back near Maidstone, where i started working on a new project (still in doubt of what the name should be) but I cannot show any images about that yet. So this is again a ‘very limited gear’ landscape reportage, enjoy:

for those interested in my journey:

I did 1820 kms departing from home in Belgium and back.

All images shown are taken in the little loop at the west side of the map.

For the motoring enthusiasts, this is my ride, packed with photo gear, camping gear, limited cooking gear, walking gear … :

thanks for reading 🙂

Ludwig

with Vita outdoors – why I still love shooting film from time to time.

Analog, beauty, erotic, location, Nude

from a while ago,

I shot with Vita Goncharuk in a public park near Brussels earlier this year. I was a bit worried about not having a location with full and agreed access, so we shot outside. The park is open to the public, and you might wonder if there are no risks of being caught. There is actually not really a problem as long as you are not shooting porn or really shocking the eventual witnesses. If you get caught by the owner of the place, you might get expelled from the premises, but they can’t file a complaint unless they can prove you did harm to their person/business/property.

Some people have been asking about public wandering around. First of all, get this agreed upon with your model. Most professional models don’t care much, some don’t like it. Vita didn’t mind at all. When somebody shows more interest than normal, I just go to them an say hello. I do a little chit-chat and then I give them one of my business cards and mostly they disappear after that, or they take some more (comfortable) distance. Some even send me an email about my website or my work afterwards. I even had one person sending me some behind the scenes images. (with Erika in Brussels)

The weather was splendid, the camera did very well, All shot on Ilford film, with the Rolleiflex TLR camera. I love the look of film, it gives a soft, rich tonality and it has some imperfections that are creating a romantic atmosphere. It has a natural grain, that adds to the softness of the images. The medium format (6x6cm) camera has a great shallow depth of field, (hard to focus though) and enough detail in the negatives for really big enlargements. It can’t beat the current 50Mpx camera’s, but its very close. I also love the time-span between shooting the images and having the developed film ready for scanning. The fact that you do not see results is a benefit for working slowly. When shooting digital, I get a little overwhelmed by the immediate results, which stresses me to shoot more and more and more. When shooting analog, I thing about every image, about light, about framing, about what to leave out of the frame and what to get into it, about pose, about a possible story, … I feel that I do not take the same amount of time when shooting digital. You shoot far less images when shooting film, but you get as many good ones than when shooting hundreds of digital images. … I experience a great feeling of joy when seeing the images on the developed film for the first time. They are a physical result, they have a more ‘real’ presence in my opinion than digital files. Film is not dead, at least not for me, and I’m sure for a lot of people with me. 🙂

I have about ten more films that just have been developed, but need scanning and retouching … come back again soon,

Ludwig